armedagainstlove | (no subject)

Entry tags:

faith,
vegas

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He has been drinking for some time.

Apparently, in this city of bright lights, gold coins go a very long way. Athos hadn't travelled very far from the door, sitting himself upon a stool and beginning to make his way through as much wine as he possibly could. Two bottles in, he has made a great friend of the bartender, who does not mind that Athos has little to say to him. There are gold coins for the taking and Athos has no care for money. He has plenty of money. He is a Comte living in a hovel. He has more money than he knows what to do with.

The wine of the future tastes empty, though, as though it lacks in strength. He has been given many odd stares for his weaponry, but Athos will not dismiss them, knowing that he is not so dangerous when he is drunk. After all, he can still shoot from five paces away and if Porthos can shoot a melon off Aramis' head when drunk, then Athos can wear his weapons.

When he looks up, after another glass, he now realizes that he is not alone. "How long have you been here?" Athos asks of the beauty beside him, puzzled and rather worried that he is lapsing time.

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"Did she take over her friend's body, spend her credit cards, flirt with a vampire and then sleep with the friend's boyfriend? While in her body. Because I'm still thinking I got your wife beat."

Stupid alcohol. That is a thing Faith has never actually talked about aloud. Ever.

Though intoxicated, Athos still recognises only a fraction of those words and the confusion shows upon his face. "It seems that for each ounce of guilt I bear, you understand it," he says, feeling a refreshing wave to experience someone who does not judge or pity him. It is wonderful, to a point he cannot express. "Despite the many years that part us."

Faith laughs at that, a sound that nearly forces its way out, and surprises her a little. It's safe to say that even with Athos' fancy language, he does have a talent at summing things up nicely.

"Yeah, well. At the very least we have the same crap taste in partners." She's got sum-up skills too, but they're largely lame. And while she still thinks he's not nearly as bad as he says he is, Faith's not going to argue with him.

"And here we are together," Athos says, as charming as he can be, a subtle smile upon his face that's as wide as his happiness ever gets. "Well," he remarks, with a bow of his head and a look towards the exterior. "I am afraid this is a strange land and I am a stranger in it. Would you happen to know somewhere safe to retire for the evening?"

As rare as his smile is, it's certainly worth the wait. He's not unpleasant to be around -- in fact, Faith might say she doesn't totally hate hanging out with the guy. The least she can do is give him somewhere to bunk.

"Well, it depends. Bellagio's pretty swanky. You don't have anyone looking for you, do you?" Cause if so, she figures it'll be more important to hide out somewhere unexpected.

"If Porthos and Aramis come looking for me, I fear for Porthos' wallet," Athos says, a severe look of worry. "However, being the small hours as they are, they are likely still in Paris and passed out in whatever quarters suits them." He digs in his pocket for the money that had replaced his gold when he'd arrived, a rather large sum of it. "I'm not short of money," he assures. "If that's what you're implying with 'swanky.'"

"Woah, I can get it. Not sure they're gonna take a bag of coins." She reaches forward to try to keep him from just whipping that thing out. Between the two of them, getting mugged probably isn't going to be a problem, but it's a pretty big red flag. "You can do the tipping, if you got to."

The fact that watching a bus boy get a gold coin as a tip will be super fun has nothing to do with the suggestion, really.

"I just-- gotta remember which way it is..."

"Don't look at me," is Athos' protest. "I arrived within the odd structure and found myself under the weight of two bottles of wine before I thought to wander," he says, and had only found a maze of odd machines and carpets, which had only driven him to drink even further. "I would feel remiss if you did not allow me to pay for at least some," he insists, traipsing along with a heavy lilt of clumsiness in each step.

"Yeah, I get that. I'll take coin." She's answering a little off-handedly, as she looks around them to try to gain her bearings.

"Oh, OK. Yeah. It's this way." This way being whichever way she starts to drift. But Faith manages to sound pretty confident -- considering she's very certain she's not just tipsy and is definitely leading Athos the right way. "C'mon, it's right around the corner."

It's really not. It's probably blocks away.

In certain lights, it is almost like he is with his Anne again, down to the way Faith moves her body and drunk as he is, Athos leans towards her, as if leaning for the familiarity of such a body. "You've been here before, I take it?" he surmises, given her ease with the city.

"Nope," she replies with a smirk. Not only does inebriated mean she's less likely to lie or mislead the truth, but it also means she doesn't so much mind having her personal space invaded. His closeness is met with a nudge to his shoulder.

"But I'm future-chick, remember? I got this." She points to the corner, which looks like a pretty big intersection. "We make a left up here, we're home free."

"I prefer to call you Faith," Athos informs her, with a nod of his head as he feels his control begin to slip precariously away from him at the sight of so much bustle before them. It's a frightening thing, to stare at that and not know what to do with it. "I come from Paris, which is all noise and idiots, at times. Why on earth do people come here?"

"Gambling. Wicked addictive. Also the outside noise tends to drown out the inside noise."

The Southie in her still comes out every once in awhile, slang and rough edges borne of a childhood unlived and buried under years of learning how to function in a world of slayers and vampires. She reaches out to tug at Athos' arm once they get to the corner, making sure he's following along as she makes the left.

Among the blinking lights is an assortment of establishments, none of which begin with a B. Faith is starting to wonder who misplaced the Bellagio on her. "C'mon. That place looks OK."

If OK is defined by a pretty rundown facade and the promise of themed weddings.

He blinks at her terms, thinking that his grasp on English cannot be so steady if he is to be confounded so often by what Faith has to say. Or perhaps he's simply that drunk that he cannot comprehend it. He follows after a pause, staring at the building before him and thinking that it is suitable for him.

"It reminds me of my own home with its dilapidated charm, but I doubt it has half as many liquors," he says, almost fondly and missing such things. The liquors, that is, and not the home.

"Not often I ask to go home with a guy, but you're really selling it, now." Her smile is easy and comfortable. Normally, Faith's flirtations are concocted with care and exacted with an indifference that belies how purposeful they truly were.

But she's got enough alcohol in her to kill a small horse and Athos is actually really easy to be around. Things that don't happen all that often for $500, Alex.

"Come on, look -- says they have a deal." One night for $40 bucks with marriage license obtained on premises. Does Athos read fine print?

"I assure you, it is with all unintention," is Athos' wry reply, given that he has not disavowed the company of beautiful women, but has learned to be wary of it after Anne. He squints at the sign, the words blurry and English and he is far too drunk for both reading small print and English and though Faith is yet a stranger to him, he feels himself capable of defending himself should a perilous situation arise.

He nods, gesturing forward. "Ladies, first."

Well, expert use of his sword were he to find himself in a sticky situation would only make Faith respect him in the morning. Since his etiquette only gets a mildly derisive snort out of her before she leads the way inside.

At the desk, the receptionist is talking too much and Faith just keeps nodding and rolling her eyes. She hands over the credit card after what she figures is the mandatory ramble explaining what happens if they trash the room. She ignores the next parts, to turn back to Athos.

"I'm getting two queens, in case you're shy." It's an offhanded remark, but a gesture that is actually a big step for Faith. She can make fun of his super uptight morals until the cows come home, but she's not about to stomp all over them, either.

The women in his life of late, particularly Ninon, had taken the first steps with him. Athos has found himself quite the passive participant in his own romantic life, but when Faith mentions having two beds in the room, he inclines his thanks with a simple nod, feeling dreadfully as though he is sobering up and decides that perhaps a drunken mistake might be initiated by him and it will not end the world.

So rather than cower to impropriety, Athos thinks that Ninon would be quite proud of him as he steps into her personal space and slides his hand down her side in order to press a drunkenly lingering kiss to her lips, as if to inform her that he would not mind, no if there had only been one bed.

Well, at least they're speaking the same language now. Faith has no qualms with some casual tonsil hockey, especially because it's not the kind of thing you forget how to do no matter how long it's been since you last did it.

And she likes impulsive, as evidenced by the way Faith kisses back. Her hands make a connection soon after, pulling and pushing at the same time. Her inner conflicts never really go away -- the ones that tell her not to trust anyone (not even herself) but to still give them the chance.

"I don't do happily ever after," she murmurs when she finally pulls away. The words rush out like a warning she is practiced at giving. Athos is a good person and Faith is a black hole. He deserves the chance to bolt off in the other direction if he wants.

She really hopes he doesn't.

Athos' responding sound is wry and half disbelief. It is as though she has plucked the words from his own mouth, from his own conversations. "As I said to two very dear friends of mine, I am not the marrying kind," he assures her quietly, still clasping her cheek with one hand as though he'll break the spell if he eases it back. It's a rather hungry kiss he follows it up with, starved for affection as he is. "I assure you, the long term isn't on my mind."

Athos' desperation is clear, but to Faith it just feels like being needed, which is just as nice. The aggression and insistence help her not to think about whether this is morally acceptable, and it keeps her from thinking about the document she signs moments later before sliding the paper to Athos to sign.

She hands him the pen and doesn't process the words marriage license as her hands move back to his body. Breaking contact for even a moment runs the risk of her changing her mind. Athos is a grown man. He can make his own decisions.

And there being no strings attached doesn't hurt, either.

He signs with the flourish of a nobleman who's signed a hundred things of no consequence many times before in his life. He has little care for whatever he has signed and knows he has the money to cover the costs, intending rather to sweep her closer and stagger away from the odd desk once a key is provided, breathing in sharply as though he has merely traded one vice for another.

The last time Faith let herself get this close to another person she wound up on the bad side of a failed relationship. Right now, though, every side of Athos seems just fine.

In fact, she doesn't really remember the ride in the elevator or unlocking the door. In the narrow moments where contact must be broken it's brief enough only for her to regain her breath. The door swings solidly shut behind them, hiding the world away and as the latch clicks, Faith shifts again into a different creature. When it comes to intimacy, she has never been offered the chance to pursue her own desires.

"You like top?" She stalks toward him now, more akin to predator than lover. It's an obvious facade, built for the likes of men who serve only themselves rather than an act shared to exchange and communicate. No, she was never taught that sex was anything other than a power display. "Or should we play dominatrix? I know you aren't as shy as you look, you just gotta say the word, A."

Athos' look turns grim at the suggestion. While he prefers to be in a position of control, often in the bedroom Anne would take over and lead them. He finds that though he enjoys it, doing that here would be a rather frightening reminder of his past and he thinks they had best avoid it, through whatever means possible. "I'll top," he says curtly, because he wants to avoid memories of Anne wherever possible.

"Which means you should find a position you think comfortable on the bed," he says, beginning the arduous task of stripping off his weapons.

That stern little shift in Athos' expression turns Faith's own sharp as she makes her way to the bed lifting her arms in a lazy surrender to peel her shirt off. She reaches down to begin removing her pants, revealing unmatched black and nude underclothing.

"You sure you want to do this?" While her relationship with another man out of time is strictly platonic, Faith has picked up on the subtle differences in cultures when it comes to dating and hookups. Angel, she imagines, has never had a one-night stand. Maybe Athos is having second thoughts.

She's not unfamiliar with the concept of too drunk to say OK, and the air in the room is becoming tinged with something she's not sure she understands. He's from a different time, that's been clear from the start. Now she's wondering if she's stomping all over how he does things. The personal edge to his demeanor is lost on her, but she's observant enough (even drunk) to know when something's not quite right -- though it hasn't stopped her from undressing.

"Just say the word. I got no feelings to hurt, here." She smiles, as encouraging as someone who kills for a living can manage.