Athos (
armedagainstlove) wrote2014-05-15 07:19 pm
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He has been drinking for some time.
Apparently, in this city of bright lights, gold coins go a very long way. Athos hadn't travelled very far from the door, sitting himself upon a stool and beginning to make his way through as much wine as he possibly could. Two bottles in, he has made a great friend of the bartender, who does not mind that Athos has little to say to him. There are gold coins for the taking and Athos has no care for money. He has plenty of money. He is a Comte living in a hovel. He has more money than he knows what to do with.
The wine of the future tastes empty, though, as though it lacks in strength. He has been given many odd stares for his weaponry, but Athos will not dismiss them, knowing that he is not so dangerous when he is drunk. After all, he can still shoot from five paces away and if Porthos can shoot a melon off Aramis' head when drunk, then Athos can wear his weapons.
When he looks up, after another glass, he now realizes that he is not alone. "How long have you been here?" Athos asks of the beauty beside him, puzzled and rather worried that he is lapsing time.
Apparently, in this city of bright lights, gold coins go a very long way. Athos hadn't travelled very far from the door, sitting himself upon a stool and beginning to make his way through as much wine as he possibly could. Two bottles in, he has made a great friend of the bartender, who does not mind that Athos has little to say to him. There are gold coins for the taking and Athos has no care for money. He has plenty of money. He is a Comte living in a hovel. He has more money than he knows what to do with.
The wine of the future tastes empty, though, as though it lacks in strength. He has been given many odd stares for his weaponry, but Athos will not dismiss them, knowing that he is not so dangerous when he is drunk. After all, he can still shoot from five paces away and if Porthos can shoot a melon off Aramis' head when drunk, then Athos can wear his weapons.
When he looks up, after another glass, he now realizes that he is not alone. "How long have you been here?" Athos asks of the beauty beside him, puzzled and rather worried that he is lapsing time.
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"But I'm future-chick, remember? I got this." She points to the corner, which looks like a pretty big intersection. "We make a left up here, we're home free."
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The Southie in her still comes out every once in awhile, slang and rough edges borne of a childhood unlived and buried under years of learning how to function in a world of slayers and vampires. She reaches out to tug at Athos' arm once they get to the corner, making sure he's following along as she makes the left.
Among the blinking lights is an assortment of establishments, none of which begin with a B. Faith is starting to wonder who misplaced the Bellagio on her. "C'mon. That place looks OK."
If OK is defined by a pretty rundown facade and the promise of themed weddings.
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"It reminds me of my own home with its dilapidated charm, but I doubt it has half as many liquors," he says, almost fondly and missing such things. The liquors, that is, and not the home.
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But she's got enough alcohol in her to kill a small horse and Athos is actually really easy to be around. Things that don't happen all that often for $500, Alex.
"Come on, look -- says they have a deal." One night for $40 bucks with marriage license obtained on premises. Does Athos read fine print?
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He nods, gesturing forward. "Ladies, first."
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At the desk, the receptionist is talking too much and Faith just keeps nodding and rolling her eyes. She hands over the credit card after what she figures is the mandatory ramble explaining what happens if they trash the room. She ignores the next parts, to turn back to Athos.
"I'm getting two queens, in case you're shy." It's an offhanded remark, but a gesture that is actually a big step for Faith. She can make fun of his super uptight morals until the cows come home, but she's not about to stomp all over them, either.
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So rather than cower to impropriety, Athos thinks that Ninon would be quite proud of him as he steps into her personal space and slides his hand down her side in order to press a drunkenly lingering kiss to her lips, as if to inform her that he would not mind, no if there had only been one bed.
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And she likes impulsive, as evidenced by the way Faith kisses back. Her hands make a connection soon after, pulling and pushing at the same time. Her inner conflicts never really go away -- the ones that tell her not to trust anyone (not even herself) but to still give them the chance.
"I don't do happily ever after," she murmurs when she finally pulls away. The words rush out like a warning she is practiced at giving. Athos is a good person and Faith is a black hole. He deserves the chance to bolt off in the other direction if he wants.
She really hopes he doesn't.
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She hands him the pen and doesn't process the words marriage license as her hands move back to his body. Breaking contact for even a moment runs the risk of her changing her mind. Athos is a grown man. He can make his own decisions.
And there being no strings attached doesn't hurt, either.
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In fact, she doesn't really remember the ride in the elevator or unlocking the door. In the narrow moments where contact must be broken it's brief enough only for her to regain her breath. The door swings solidly shut behind them, hiding the world away and as the latch clicks, Faith shifts again into a different creature. When it comes to intimacy, she has never been offered the chance to pursue her own desires.
"You like top?" She stalks toward him now, more akin to predator than lover. It's an obvious facade, built for the likes of men who serve only themselves rather than an act shared to exchange and communicate. No, she was never taught that sex was anything other than a power display. "Or should we play dominatrix? I know you aren't as shy as you look, you just gotta say the word, A."
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"Which means you should find a position you think comfortable on the bed," he says, beginning the arduous task of stripping off his weapons.
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"You sure you want to do this?" While her relationship with another man out of time is strictly platonic, Faith has picked up on the subtle differences in cultures when it comes to dating and hookups. Angel, she imagines, has never had a one-night stand. Maybe Athos is having second thoughts.
She's not unfamiliar with the concept of too drunk to say OK, and the air in the room is becoming tinged with something she's not sure she understands. He's from a different time, that's been clear from the start. Now she's wondering if she's stomping all over how he does things. The personal edge to his demeanor is lost on her, but she's observant enough (even drunk) to know when something's not quite right -- though it hasn't stopped her from undressing.
"Just say the word. I got no feelings to hurt, here." She smiles, as encouraging as someone who kills for a living can manage.
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"You should get on the bed," he suggests, mild, but without any hint of regret as he kicks off his boots.
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"Hard to alarm. Don't mind it so much when it does happen, though..." she replies. Faith means it to sound off-handed and unimportant, not necessarily challenging or showy. Watching Athos, she's impressed more than worried. His cache of weapons, his determination -- parts of him that she might not have otherwise seen had they not ended up here, are obvious to her now.
She almost offers help, before she remembers he's now told her twice to get comfortable. So instead, she simply admires as he peels away his layers, thinking that it's particularly worth the wait.
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To stop them, he bends down to kiss her, where he won't see her hair, where he can close his eyes and lose himself in sensation, hand sliding down her torso and gently working back up, teasing and light.
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Her own kiss is desperate and fast. A life spent communicating violence, she at least knows that it is not the right response. But there is also little in her arsenal that does not require being drawn out of her at the guidance and behest of someone else. His hands prompt her own to move through the gaps made by his elbows and smooth along Athos' back.
Faith does her best to match his own pace, though it is one she has never quite been comfortable with. It's hard not to let the sharper kisses through as her impatience drives her to nip at the soft skin of his lips.
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"I'm not entirely drunk past the point of awareness, but if something becomes too much, tell me," he requests of her.
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It's familiar; somehow comforted by the chaos where she can stuff away her own thoughts and make herself feel more and less human all at the same time.
So when he does pull back to ready himself, and offers yet another assurance, Faith doesn't protest or peacock about being tough and unbreakable. The truth is that she's already been broken too many times for any more cracks to matter.
She finds herself nodding, once, before reaching down to wriggle cotton off of her own hips. Her knees decide to make things difficult, and for a brief moment the clumsiness seems to become Faith's as the woman beneath the soldier is revealed. She chuckles, low, before her hips shift and she flings the underwear away and off her foot.
Then her hands move to smooth over Athos' chest, her legs move around him to box him in and get him to dive back into the chaos with her. Insistent and more needy than she'd like. Desperate for contact.
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"Make it last, then," she advises through a chuckle. It's an unexpected turn, that she's suddenly concerned with making sure Athos enjoys himself. She's not quite breathless yet, but her words come out rushed and fervid. "Don't want you to pop before you've had all the fun. I don't even know what you like, yet."
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"With this much wine in me? I like nearly everything."
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