Athos (
armedagainstlove) wrote2014-05-15 07:19 pm
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He has been drinking for some time.
Apparently, in this city of bright lights, gold coins go a very long way. Athos hadn't travelled very far from the door, sitting himself upon a stool and beginning to make his way through as much wine as he possibly could. Two bottles in, he has made a great friend of the bartender, who does not mind that Athos has little to say to him. There are gold coins for the taking and Athos has no care for money. He has plenty of money. He is a Comte living in a hovel. He has more money than he knows what to do with.
The wine of the future tastes empty, though, as though it lacks in strength. He has been given many odd stares for his weaponry, but Athos will not dismiss them, knowing that he is not so dangerous when he is drunk. After all, he can still shoot from five paces away and if Porthos can shoot a melon off Aramis' head when drunk, then Athos can wear his weapons.
When he looks up, after another glass, he now realizes that he is not alone. "How long have you been here?" Athos asks of the beauty beside him, puzzled and rather worried that he is lapsing time.
Apparently, in this city of bright lights, gold coins go a very long way. Athos hadn't travelled very far from the door, sitting himself upon a stool and beginning to make his way through as much wine as he possibly could. Two bottles in, he has made a great friend of the bartender, who does not mind that Athos has little to say to him. There are gold coins for the taking and Athos has no care for money. He has plenty of money. He is a Comte living in a hovel. He has more money than he knows what to do with.
The wine of the future tastes empty, though, as though it lacks in strength. He has been given many odd stares for his weaponry, but Athos will not dismiss them, knowing that he is not so dangerous when he is drunk. After all, he can still shoot from five paces away and if Porthos can shoot a melon off Aramis' head when drunk, then Athos can wear his weapons.
When he looks up, after another glass, he now realizes that he is not alone. "How long have you been here?" Athos asks of the beauty beside him, puzzled and rather worried that he is lapsing time.
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In fact, she doesn't really remember the ride in the elevator or unlocking the door. In the narrow moments where contact must be broken it's brief enough only for her to regain her breath. The door swings solidly shut behind them, hiding the world away and as the latch clicks, Faith shifts again into a different creature. When it comes to intimacy, she has never been offered the chance to pursue her own desires.
"You like top?" She stalks toward him now, more akin to predator than lover. It's an obvious facade, built for the likes of men who serve only themselves rather than an act shared to exchange and communicate. No, she was never taught that sex was anything other than a power display. "Or should we play dominatrix? I know you aren't as shy as you look, you just gotta say the word, A."
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"Which means you should find a position you think comfortable on the bed," he says, beginning the arduous task of stripping off his weapons.
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"You sure you want to do this?" While her relationship with another man out of time is strictly platonic, Faith has picked up on the subtle differences in cultures when it comes to dating and hookups. Angel, she imagines, has never had a one-night stand. Maybe Athos is having second thoughts.
She's not unfamiliar with the concept of too drunk to say OK, and the air in the room is becoming tinged with something she's not sure she understands. He's from a different time, that's been clear from the start. Now she's wondering if she's stomping all over how he does things. The personal edge to his demeanor is lost on her, but she's observant enough (even drunk) to know when something's not quite right -- though it hasn't stopped her from undressing.
"Just say the word. I got no feelings to hurt, here." She smiles, as encouraging as someone who kills for a living can manage.
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"You should get on the bed," he suggests, mild, but without any hint of regret as he kicks off his boots.
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"Hard to alarm. Don't mind it so much when it does happen, though..." she replies. Faith means it to sound off-handed and unimportant, not necessarily challenging or showy. Watching Athos, she's impressed more than worried. His cache of weapons, his determination -- parts of him that she might not have otherwise seen had they not ended up here, are obvious to her now.
She almost offers help, before she remembers he's now told her twice to get comfortable. So instead, she simply admires as he peels away his layers, thinking that it's particularly worth the wait.
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To stop them, he bends down to kiss her, where he won't see her hair, where he can close his eyes and lose himself in sensation, hand sliding down her torso and gently working back up, teasing and light.
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Her own kiss is desperate and fast. A life spent communicating violence, she at least knows that it is not the right response. But there is also little in her arsenal that does not require being drawn out of her at the guidance and behest of someone else. His hands prompt her own to move through the gaps made by his elbows and smooth along Athos' back.
Faith does her best to match his own pace, though it is one she has never quite been comfortable with. It's hard not to let the sharper kisses through as her impatience drives her to nip at the soft skin of his lips.
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"I'm not entirely drunk past the point of awareness, but if something becomes too much, tell me," he requests of her.
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It's familiar; somehow comforted by the chaos where she can stuff away her own thoughts and make herself feel more and less human all at the same time.
So when he does pull back to ready himself, and offers yet another assurance, Faith doesn't protest or peacock about being tough and unbreakable. The truth is that she's already been broken too many times for any more cracks to matter.
She finds herself nodding, once, before reaching down to wriggle cotton off of her own hips. Her knees decide to make things difficult, and for a brief moment the clumsiness seems to become Faith's as the woman beneath the soldier is revealed. She chuckles, low, before her hips shift and she flings the underwear away and off her foot.
Then her hands move to smooth over Athos' chest, her legs move around him to box him in and get him to dive back into the chaos with her. Insistent and more needy than she'd like. Desperate for contact.
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"Make it last, then," she advises through a chuckle. It's an unexpected turn, that she's suddenly concerned with making sure Athos enjoys himself. She's not quite breathless yet, but her words come out rushed and fervid. "Don't want you to pop before you've had all the fun. I don't even know what you like, yet."
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"With this much wine in me? I like nearly everything."
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"I'll make it easy then. Hard...?" Faith gets words out between breaths that are quickly sucked in and just as eagerly released.
Up from his hips, Faith lets her nails digs across his stomach and up to Athos' chest, where her touch becomes feather-light as she watches for a reaction. She prefers a little pain with her pleasure, but Faith's come a long way -- she knows not everyone likes the same things. "Or soft?"
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His locket dangles in the space between them as he cannot take that off, and he leans down to devour her lips in a fierce kiss that once again demands this to be hard, without saying the word.